{"id":4031,"date":"2024-12-10T11:51:28","date_gmt":"2024-12-10T11:51:28","guid":{"rendered":"https:\/\/nu.prakticum.fi\/nu26\/?page_id=4031"},"modified":"2025-12-22T14:08:46","modified_gmt":"2025-12-22T12:08:46","slug":"aron-hugi-gudmundsson","status":"publish","type":"page","link":"https:\/\/nu.prakticum.fi\/nu26\/aron-hugi-gudmundsson\/","title":{"rendered":"Anastasiia Khachanova"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"4031\" class=\"elementor elementor-4031\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7c2f4823 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7c2f4823\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-9b4fd52\" data-id=\"9b4fd52\" 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elementor-element-5ec1fcfa elementor-widget elementor-widget-spacer\" data-id=\"5ec1fcfa\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5096aaff elementor-widget elementor-widget-heading\" data-id=\"5096aaff\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Anastasiia Khachanova<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-336b128 elementor-widget elementor-widget-text-editor\" data-id=\"336b128\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>&#8220;On the Edge&#8221;<\/strong><\/p>\n<p>This photo project tells the story of Spartak, an artist who was forced to become a refugee four times.<br \/>He was born in Baku, an Armenian by birth, from where his family fled during the persecution of Armenians.<br \/>Then came Armenia, which he was forced to leave due to the economic crisis and the outbreak of the Karabakh War.<br \/>Then came Ukraine and a new war.<br \/>The photographs were taken on the border between Italy and Slovenia, where the artist&#8217;s exhibition was held.<br \/>The tunnel, movement, and stepping along the line are symbols of an endless journey, a search for home and self.<br \/>A red line connects the frames \u2014 a trace of exile, memory, and the strength that allows one to live on.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-25de99b elementor-widget elementor-widget-audio\" 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Khachanova &#8220;On the Edge&#8221; This photo project tells the story of Spartak, an artist who was forced to become a refugee four times.He was born in Baku, an Armenian by birth, from where his family fled during the persecution of Armenians.Then came Armenia, which he was forced to leave due to 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